If it's a good script I'll do it. And if it's a bad script, and they pay me enough, I'll do it.
If my books had been any worse, I should not have been invited to Hollywood, and if they had been any better, I should not have come.
If New York is the Big Apple, tonight Hollywood is the Big Nipple.
If we have to tell Hollywood good-by, it may be with one of those tender, old-fashioned, seven-second kisses exchanged between two people of the opposite sex, with all their clothes on.
If you have a vagina and an attitude in this town, then that's a lethal combination.
In Beverly Hills… they don't throw their garbage away. They make it into television shows.
In Hollywood if you don't have happiness you send out for it.
In the court of the movie Owner, none criticized, none doubted. And none dared speak of art. In the Owner's mind art was a synonym for bankruptcy. The movie Owners are the only troupe in the history of entertainment that has never been seduced by the adventure of the entertainment world.
Isn't Hollywood a dump — in the human sense of the word. A hideous town, pointed up by the insulting gardens of its rich, full of the human spirit at a new low of debasement.
It feels like a barbell. [When asked what she thought of her newly acquired Oscar statuette]
It's a mining town in lotus land.
Its idea of ''production value'' is spending a million dollars dressing up a story that any good writer would throw away. Its vision of the rewarding movie is a vehicle for some glamour-puss with two expressions and eighteen changes of costume, or for some male idol of the muddled millions with a permanent hangover, six worn-out acting tricks, the build of a lifeguard, and the mentality of a chicken-strangler.
Just like those other black holes from outer space, Hollywood is postmodern to this extent: it has no center, only a spreading dead zone of exhaustion, inertia, and brilliant decay.
My attitude about Hollywood is that I wouldn't walk across the street to pull one of those executives out of the snow if he was bleeding to death. Not unless I was paid for it. None of them ever did me any favors.
Some are able and humane men and some are low-grade individuals with the morals of a goat, the artistic integrity of a slot machine, and the manners of a floorwalker with delusions of grandeur.
Strip away the phony tinsel of Hollywood and you will find the real tinsel underneath.
Studio executives are intelligent, brutally overworked men and women who share one thing in common with baseball managers: they wake up every morning of the world with the knowledge that sooner or later they're going to get fired.
That's one thing I like about Hollywood. The writer is there revealed in his ultimate corruption. He asks no praise, because his praise comes to him in the form of a salary check. In Hollywood the average writer is not young, not honest, not brave, and a bit overdressed. But he is darn good company, which book writers as a rule are not. He is better than what he writes. Most book writers are not as good.
The average Hollywood film star's ambition is to be admired by an American, courted by an Italian, married to an Englishman and have a French boyfriend.
The motion picture made in Hollywood, if it is to create art at all, must do so within such strangling limitations of subject and treatment that it is a blind wonder it ever achieves any distinction beyond the purely mechanical slickness of a glass and chromium bathroom.
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